Culture Connection: A Century of Humanity

Last Tuesday evening I had the pleasure of attending Center Theatre Group’s Third Annual August Wilson Monologue Competition (AWMC)-Regional Semi-Finals.  An inspiring evening filled with, artistic promise, genuine displays of community and a greater vision of what the American theatre can look like. The AWMC is a commitment to Wilson that his words shall not be forgotten by future generations. I was moved and touched by this awesome occasion and impressed by the courage of 12 semi-finalists from across southern California High Schools, all hoping for that once in a lifetime opportunity to perform their monologue at the finals, on Broadway In New York, NY!

The competition is open to high school students from participating cities. The winners at the regional level will travel to the August Wilson Theatre on Broadway to participate in a weekend devoted to Wilson, exploring Broadway and New York City, and the final round of the competition (May 3-6, 2014).

Students perform a two to three minute monologue from any of the plays in August Wilson’s Century Cycle. The panel of judges will be comprised of theatre professionals from their respective communities. For the Los Angeles semi-finals our judges were Wren T.  Brown, Anita Dashiel, Robert Gossett, Joe Morton, Shana Waterman and William Allen Young.

First, second and third place receive scholarships in the amount of $1500, $750, $500, respectively. All finalists will receive a hardbound anthology of all ten of August Wilson’s plays. Check out this trailer for the documentary about the competition.

The AWMC started from a desire by Kenny Leon( Artistic Director of True Colors Theatre in Atlanta) and Todd Kreidler( August Wilson’s longtime dramaturg and friend) to introduce the genius of Wilson to a new generation.  If you’re not familiar with Mr. Wilson, I urge you to become acquainted with his words, with his genius, with his America.  Check out his New York Times Obituary that includes links to all the reviews of his plays, slideshows with production stills and features on one of America’s finest dramatists.

The only American playwright to write an entire 10 play cycle also known as the Century Cycle, about a culture’s progression over 100 years, Wilson’s plays have changed the theatrical cannon and have given opportunities for black actors where none previously existed. The plays are as follows:

Time Period- Play (Written)

1904 – Gem of the Ocean (2003)

1911 – Joe Turner’s Come and Gone (1984)

1927 – Ma Rainey’s Black Bottom (1982)

1936 – The Piano Lesson (1986)

1948 – Seven Guitars (1995)

1957 – Fences (1983)

1969 – Two Trains Running (1990)

1977 – Jitney (1979)

1985 – King Hedley II (2001)

1997 – Radio Golf (2003)

In 1996 at the Ahmanson Theatre in Los Angeles August Wilson’s Seven Guitars was the first professional play I had ever seen and it changed my life. It starred Keith David, Viola Davis, Roger Robinson, Michele Shay, Ruben Santiago-Hudson, Tommy Hollis and Rosalyn Coleman. Who knew these giants in the theatre would go on to have Tony, Oscar and Emmy winning careers! Who knew that in 1996 a young black man from South Central Los Angeles, would see his people on stage, pursue it as his career, eventually meet and know half that cast personally and work with them professionally. God did, and here I am 16 years later, making a career of humanity. Committing myself to the noble struggle for equal rights. Making a better person of myself, a greater nation of my country and a finer world to live in.

Peace.

Culture Connection: Celebrating Black History with Black Theatre

Listen in as Brother Malcolm shares several new black productions coming to the stage this spring that are perfect for date nights and to commemorate Black History Month!

For comments or questions about this episode, contact the hotline at (323) 455-4219!

Photo by Anna Mae Lam Photography

Culture Connection with Malcolm Darrell (AUDIO)

Folks, I am elated to present to you a new BI segment for summer 2012! Welcome to our first episode of Culture Connection, curated by Los Angeles culture critic and BI family member, Malcolm Darrell. Malcolm is currently part of the Center Theatre Group (CTG) here in Los Angeles and will be bringing you weekly tidbits of information on the latest artistic and cultural works around the city. First up is The Convert, playing now through May 19th at the Kirk Douglas Theatre. Listen in to Malcolm’s review of this fascinating work.

Photos by Anna Mae Lam Photography

LA EVENTS: Radar LA

Radar LA is an international festival of contemporary theater produced by REDCAT in collaboration with Center Theatre Group and The Public Theater’s Under the Radar Festival (New York).

Three of the shows are geared toward Black interests, all of them unique and showcasing a different side of the Black experience:

RADAR L.A. FESTIVAL

LOS ANGELES POVERTY DEPARTMENT: STATE OF INCARCERATION

Los Angeles

Scared Straight! has nothing on this often compelling piece of political theater.” —LA Weekly

In a performance space filled wall-to-wall with prison bunk beds, performers and audience share overcrowded conditions akin to a California state prison for the latest work from Los Angeles Poverty Department (LAPD). One-third of the state’s parolees settle in the 55 square blocks of Los Angeles known as Skid Row, and State of Incarceration—developed collaboratively by LAPD’s Skid Row artists and in dialogue with organizers and recent parolees—powerfully examines the consequences of California’s penal system on individuals, families and communities. Outlining a ritual of incarceration from entry to release and re-integration, State of Incarceration constructs a complex challenge to the societal perceptions and fear-based policies of a nation with the highest rate of incarceration in the world.

Directed by Henriëtte Brouwers and John Malpede

RUN TIME: 90 minutes

State of Incarceration is a National Performance Network (NPN) Creation Fund Project co-commissioned by Highways Performance Space in partnership with Tucson-Pima Arts Council, VSA Arts of New Mexico, The Queens Museum and NPN. The Creation Fund is supported by the Doris Duke Charitable Foundation, Ford Foundation, and the National Endowment for the Arts (a federal agency). For more information: www.npnweb.org

The History of in Carceration Project is a project of Creative Capital, which currently receives funding from The Andy Warhol Foundation for the Visual Arts, Doris Duke Charitable Foundation, The TOBY Fund, The James Irvine Foundation, The Nathan Cummings Foundation, and more than 150 other individuals and institutional donors.

STEVE CONNELL AND SEKOU ANDREWS: THE WORD BEGINS

Los Angeles

“This cheerful two-man, spoken-word romp through territories expected (race relations) and unusual (dirty ideas for Hallmark cards) stars an adorable odd couple.” —Time Out New York

Mashing up spoken word, comedy and Hip-Hop, Steve Connell and Sekou Andrews deliver hyper-kinetic performances in this fresh new satire that examines the current American cultural landscape as it appears to a young white man and a young black man. Nominated for three Helen Hayes Awards, The Word Begins follows the journey of two men as they explore race, faith and morality in America—from the inner cities to the heartland. Throughout their compelling journey, Steve and Sekou move through a chaotic landscape as they attempt to come to terms with the realities of this American moment.

Written and Performed by Steve Connell and Sekou Andrews

Developed and Directed by Robert Egan

RUN TIME: 75 minutes

The Word Begins is co-produced by Hip-Hop Theater Festival through special arrangement with Prana Theatre Group and was originally produced at The Signature Theatre, Eric Schaeffer, Artistic Director, and was developed at the Ojai Playwrights Conference, Robert Egan, Artistic Director.

POMO AFRO HOMOS: FIERCE LOVE (REMIX)

San Francisco

“Uncompromisingly African American, uncompromisingly queer, and still remarkably universal.” —Chicago Reader

In 1991 the groundbreaking group Pomo Afro Homos premiered Fierce Love: Stories from Black Gay Life and secured their place in the history of queer performance. Through a series of savvy vignettes, the company brought a humor as fierce as the love they explored, creating a theatrical touchstone at the intersection of race and sexuality. Now, two decades after its premiere, writer-director-performer Brian Freeman remixes the Pomo’s original production with a talented new crew of performers, and the occasional riff on the current moment. But the Pomos’ indelible tales driven by clear and potent voices—from sad young men to signifying sissies to back-room roamers—remain as raucous and fresh as when they first took to the stage, enriched by new resonance and poignancy.

Directed by Brian Freeman
Text by Brian Freeman, Eric Gupton and DJola Branner
Performed by Thandiwe Thomas DeShazor, Brian Freeman, Dazié Rustin Grego and Rashad Pridgen

RUN TIME: 70 minutes

Fierce Love (Remix) is a National Performance Network (NPN) Re-Creation Fund Project sponsored by Theater Offensive in partnership with Dance Place, Flynn Center for the Performing Arts, REDCAT and NPN. The Re-Creation Fund is supported by the Doris Duke Charitable Foundation, Ford Foundation, and the National Endowment for the Arts (a federal agency). For more information: www.npnweb.org.

INFORMATION FOR ALL THREE SHOWS:

LOCATION: LATC: Theater 4

Los Angeles Theatre Center

514 South Spring Street, Los Angeles, CA 90013 | Map

PARKING: $5–6 event parking at several locations off Main and 6th Streets.