What Happened to the Summer Jam?

Sitting in front of my computer, downloading and listening to all the new cuts, and I had a revelation: I  might remember one of every 15 songs I play today. There comes a time when I’m flooded with so much random music that I’d rather have my nuts laid on a fucking dresser, and bang them shits with a spiked fucking bat (credit to WU) than have to listen to the latest single from MC PimpDemHoez and DJ YellAlotAndAintSayinShit! Which further makes me think, where is that essential summer song that you hear at every picnic, party, bbq, club, and car that drives by? What happened to the Summer Jam?

Maybe that time, unfortunately, has been lost in the last five to ten years with the rise of the Internet and it’s high-speed mannerisms, where a song that’s been out for about 12 hours is already considered “old.” To tell the truth, I couldn’t tell you exactly what’s been released over the past four days that has caught my eye, save for Pusha T’s Fear Of God single and Rick Ross/Raekwon collabo. This new era of music distribution and promotion has inspired a nation of millions to think they can and should rap for a living (or allegedly “out of the love,” as so many will say), without realizing that they’ve not taken the time to work on and try to perfect their craft. Everybody’s so caught up in either trying to be the “first” to drop something new that nobody seems to care about making or promoting a song that will be everlasting.

All of that results in an ADHD-style mishmash of remedial songs that end up overshadowing actual good music, making them that much harder to find (believe me, I try every day), and we – the music listener/fan/critic – end up without songs we can remember years down the line or attach to specific periods in our lives. Case in point: Jay-Z’s summer cut of 2001, The Takeover*, will always be remembered as the song that simultaneously dismantled Prodigy’s career and, put a battery in Nas’ back. Taking it back even further, being stationed in Norfolk, VA, everyone on the base was bangin’ Noreaga’s Banned From TV.  Now, I can’t even tell you what my favorite song was two years ago without having to go to Wikipedia to remember what happened in 2008.  (Damn, was Webbie really the jam that year?)

The summer cut was meant to be the song you would take with you into the following summers. DJ Jazzy Jeff & The Fresh Prince’s Summertime is still an instant vintage banger despite being almost as old as some of the readers of this site. In comparison, the summer jam this year seems to be Drake’s Over. I may enjoy the hardness of Over like the next man, but I doubt that song will have the same longevity as Will and Jeff’s ubiquitous classic. While the single has been able to last for longer than a day by Internet standards, it’s not going to be known for anything other than a song by fresh new face.

With that said, let’s take a little trip back with the help of  Mick Boogie and DJ Jazzy Jeff  Summertime Mixtape.

download here

*I know “H.O.V.A.” was the more successful single, but “The Takeover” was the unofficial summer jam. Plus, he premiered it at Summer Jam.

-Mr.CEO

Drake is… a fraud?!

Watch this video:

Now ponder this question: Does Drake lose credibility as an artist because he’s unable to freestyle?

I’ll admit I was a Drake fan and I was let down when I saw this video. Granted, all rappers can’t freestyle. But all rappers don’t go on Flex’s show fronting like they can.

On a funnier note, you can’t see the original without seeing the spoof:

Hay girl signing off.

The Music Industry’s Funny Money

Still think a music career is an easy path to a blinged-out life? Don’t believe the hype. A whole lot of folks have to get paid before the musician does. The Root traces the money trail.


If you thought the life of most musicians was comparable to the blissful and blinged-out existences of Kanye and Rihanna, you’ve clearly not heard much about our ever-desiccating music industry.  According to the latest Nielsen research, only 2.1 percent of the albums released in 2009 sold even 5,000 copies — that’s just 2,050 records out of nearly 100,000, and to fewer people than go to a small liberal arts college.

As if that weren’t bad enough, even the bands who do move units end up paying through the nose, mouth, eyes and ears for management, legal fees, producers and other expenses, leaving most of them scrounging to pay for record advances and, if they can afford it, health care.

From the outside, it often sounds fun to be in a band. But before picking up that guitar or microphone, take a look at where the money from a record goes.

*Calculator: Find Out How Much You’d Make as a Musician*

SLRP: The suggested list retail price of a CD is currently $16.98, while the standard wholesale price — what retail stores pay the label per CD — is about $10. Once the retailer gets the CD, they can sell it for however much they’d like — hence “suggested.” Artist’s royalties are a percentage of the retail price. Superstars can get 20 percent of the SLRP, but most get 12 percent to 14 percent.

Packaging charge: 25 percent of the SLRP goes back to the record company immediately for what’s called a “packaging charge” — that’s the label literally charging the artist for the plastic case in which his or her CD is sold.

Free goods: In essence, “free goods” are a roundabout way for labels to discount records so stores will be more inclined to buy them. So rather than sell Best Buy 100,000 records at the regular wholesale price, the label will sell them 100,000 records for the price of 85,000. The artist is then paid for the 85,000 CDs, not the actual 100,000 sold to the retailer.

Reserves: Records, especially records by newer artists, are generally sold with the caveat that retailers can return to the label whatever copies they don’t sell for a full refund. Thus to ensure they don’t lose too much money on artists, record labels will sometimes pay artists for only 65,000 copies out of 100,000 copies, just in case 35,000 (25,000 if you consider the free ones) are returned. If the retailer ends up selling all their copies, the label will then pay the artist the balance owed, which can sometimes take years.

continued on TheRoot.com

-Mr.CEO(via Cord Jefferson at www.theroot.com)

A.G. x J Dilla – Dunkin Donuts

D.I.T.C.’s A.G. commandeers some Dilla instrumentals for a new tribute mixtape that he leaked today on Twitter.

01 Intro
02 Workin’ On It
03 AG On JD
04 We Do It 4
05 Walk On By
06 AG On Loss
07 Dilla 4 Eva ft. Party Arty
08 Clap
09 Crushing (BX Version)
10 AG On J Dilla & Party Arty
11 10 to 10
12 Gems I Spit
13 Keep It Movin
14 Heavy Head
15 Shouts

(My fav joint is #5)

Enjoy

Mr.CEO

Download

LA EVENTS: The Foreign Exchange

Only July 20th The Foreign Exchange will perform at The Roxy Theatre, Hollywood CA.

Special guest for The Foreign Exchange show joining Phonte, Nicolay, YahZarah St. James, Darien Brockington, Zo! and full live band on stage, will be our good friend Sy Smith!
Don’t miss it!

The Foreign Exchange consists of American singer/songwriter Phonte (of Little Brother) and Dutch producer/composer Nicolay. Visit their website for news, music, tourdates and downloads.

LA EVENTS: Nia Andrews

Singer/songwriter Nia Andrews will be making her debut performance at Angel’s Piano Bar & Supper Club on Sunday, July 18th at 7pm.

Nia, who has toured with Common and Lauryn Hill, will present a jazz-infused set of original material peppered with a few off-the-beaten path covers. Her perfomance will feature a rare appearance on acoustic piano with artist/producer Mark de Clive-Lowe. This event is free, so by all means, go and support this rising star!

LA EVENTS: Delicia Smith

If you’ve never heard of her, you will.

Delicia Smith, one of the most awesome voices in Los Angeles, will be one of the featured soloists accompanied by the LA Philharmonic Orchestra and LA Philharmonic Choir on July 10th at 7pm at the LA Arboretum and July 11th at 2pm at the Disney Concert Hall.

She will be singing “Don’t Cry for Me Argentina” from the memorable and amazing musical “Evita” and “Memories” from the smash hit musical, “Cats”.

For ticket information, please contact http://www.calphil.org/ or call (626) 300-8200.

LA EVENTS: Kiss N Grind Presents…

This Friday KNG is back with another installment to their Young Legends summer series. Legends of the Illadelph: A Musical Overview Of The Philadelphia Sound Old & New will take place Friday, July 9th from 10pm – 2am. Details are as follows:

Medusa Lounge, 3211 Beverly Blvd., Los Angeles, CA 90057

$10 before midnight, $15 after; 21 and over

Don’t miss this one-of-a-kind event!